“The First Incinerator Was Called a Crematory,” “Trash,” and “Waste Always Overflows its Official Meanings,” in Action Spectacle

“Still Life, Galvez St, 1978” and “Elegy, Napoleon House, New Orleans,” Ilanot Review

“Sixteen Years to the Day Another Hurricane Reverses,” “Mother Water Ash,” and “New Orleans Love Poem,” Blackbird

“Missing” and “Missing,” Court Green

“In Mourning,” DIODE

“Trash” and “Trash,” Tupelo Quarterly

“Trash,” Plume

“My Daughter Quarantined in the Basement,” Poetry Magazine

“Trash” and “Trash,” Los Angeles Review

“On the Mississippi River Levee Styrofoam Cup in my Hand,” Scoundrel Time

“My Mother’s Ashtray,” Harbor Review

“At the Florence Nightingale Museum,” Foundry

“Self-Portrait with 1980s Trash” and “Of Resist,” Electric Literature

“Garden in a Bottle, New Orleans” and “Marriage, Objects,” The Coachella Review

“The S&H Green Stamp Book” and “The Mannequin in the Mourning Dress at the Exhibition,” Tupelo Quarterly

“Marriage as Rock Quarry,” “Marriage as Light Socket,” “Of Marriage, Of Glass Gardens,” Narrative

“Floating Island,” Boston Review on-line

“Whipped Carnation Rainbow Candy” and “Vintage 1969 Mattel Baby Tender Love Doll,” The New Orleans Review

“Of Shock,” The Academy of American Poets, Poem-A-Day

“At The Museum of Childhood, Bethanel Green, London,” The New Orleans Review

“Air Raid Precautions Warden Doll, London 1944” and “The Terrorist Doll from Chiapis,” Tinderbox

“Self Portrait in the Backyard as Mother,” Plume Poetry

“Posture Board, England, 1820,” The Missouri Review

“Marriage: A Daybook,” poets.org

“Compendium of Lost Objects,” versedaily.org

“The Flood Notebooks,” PEN America